2016 | PG-13
Director: Antoine Fuqua
Role: Storyboard Artist
Magnificent Seven was an awesome experience. Antoine is methodical about his action. Every shot is thought out for cinematic value. With a little help from Stunt Coordinator Jeff Dashnaw.
2023 | R
Director: Antoine Fuqua
Role: Storyboard Artist
I worked in California while Antoine was in Italy. But we had just come out of the pandemic and working on Zoom was starting to feel natural.
2025 | PG-13
Director: Jake Shreier
Role: Storyboard Artist
I was brought on to work on most of the walk and talk sequences like the “Fundraiser”.
The animatic is the one scene of action I was assigned. I later went back and cleaned it up.
2024 | R
Director: Alex Garland
Role: Storyboard Artist
I worked with Second Unit Director Jeff Dashnaw, and Ray Mendoza in Atlanta. They shot on the streets of Atlanta as Washington DC.
2023 | PG-13
Director: George Tillman Jr.
Role: Storyboard Artist
I am a big boxing fan and to do a movie on George Foreman and storyboard his classic fights was a joy.
2023 | PG-13
Director: David F. Sandberg
Role: Storyboard Artist
We worked really fast on this film. David wanted us to get the idea on paper so he could pass it on to previz.
2022 | R
Director: Damien Chazelle
Role: Storyboard Artist
Damien knows every shot in his movie. But this was one scene he gave me his notes then let me take a shot at.
2022 | R
Director: Antoine Fuqua
Role: Storyboard Artist
The animatic was done to help sell the product to Apple. The storyboards were the final version for this sequence.
2023 | PG-13
Director: George Tillman Jr.
Role: Storyboard Artist
I did a lot of animatics for this film. The action was going to be pretty big. In this scene it was important make it a drag race between the cycle and the plane.
2021 | PG-13
Director: Jon Chu
Role: Storyboard Artist
This is my one and only musical. Jon was determined to bring Lin Manuels concept into the real world without losing the energy of the stage performances.
2017 | PG-13
Director: Taika Waititi
Role: Storyboard Artist
This scene was rejected but I thought it was a fun idea that Taika had. Using ELO’s “Magic” as we introduce Doctor Strange.
2019 | PG-13
Director: David F. Sandberg
Role: Storyboard Artist
This was a fun one. A super hero discovering his power.
2018 | PG-13
Director: George Tillman Jr.
Role: Storyboard Artist
George Tillman is a visionary who makes films with a lot of passion.
2018 | R
Director: Antoine Fuqua
Role: Storyboard Artist
A fun scene with a great stunt coordinator Jeff Dashnaw.
2015 | R
Director: Antoine Fuqua
Role: Storyboard Artist
Antoine wanted to keep this scene looking like an HBO fight. It was my job to try to add interesting angles we could cut away to.
2014 | PG-13
Director: Matt Reeves
Role: Storyboard Artist
I did some beautiful boards on this show, but this scene was done fast and dirty. They sent me the previz to show me how close my boards came to the final sequence.
2015 | PG-13
Director: Peyton Reed
Role: Storyboard Artist
We met on a Friday where I got my notes for the Peyton, the VFX coordinator, and the Producers. I worked all weekend so they could have this scene by Monday.
2014 | R
Director: Antoine Fuqua
Role: Storyboard Artist
This was the first scene we worked on. Antoine wanted to lock down how we see Robert McCall use his obsessive compulsive disorder as a super power.
2013 | PG-13
Director: Shane Black
Role: Storyboard Artist
I basically was bought in the all the walk and talks. However, this is one of the action sequences they let me have.
2011 | PG-13
Director: Justin Lin
Role: Storyboard Artist
This was my third FAST film with Justin. He is a great director who has the confidence and skill to keep production fun. It shows in his films.
I think I spent the whole project working on this scene. As I remember it, they hired a second film crew to work on this sequence.
2016 | PG-13
Director: Rawson Thurber
Role: Storyboard Artist
It was fun to draw an fat Rock.
2020
Director: Damien Chazelle
Role: Storyboard Artist
DéLonghi coffee maker commercial starring Brad Pitt.
